|Monday, 18 January 2010 14:56|
In recent years, much research, studies, exhibits and speeches about the events and artistic biography of Michelangelo Merisi called Caravaggio has confirmed the universal and growing interest around the artistic events of the painter and his pivotal role within the story art of the last four hundred years. And 'this background and the climate in which the idea of a new and ambitious - even in its "simplicity" - exhibitions.
An exhibit linear and exciting images as a criterion to be rigorous, presented to the public in a concise way, not anthology focusing on the sun works, "capital", ie only on the works of Caravaggio historically established.
The end result is a consistent and rigorous way that sheds new light on the different stages of the evolutionary process of language suffered by Caravaggio: an exciting and crystalline that purifies and exalts the exceptional and unique nature of his work.
On display among the most representative works of the Lombard as the Basket of Fruit (Fiscella) from the Biblioteca Ambrosiana in Milan, the noise from the Uffizi Gallery in Florence, David with the Head of Goliath by the Galleria Borghese in Rome, the music Metropolitan Museum in New York on Lute of Hermitage Museum in St. Petersburg, the Amor vincit omnia by the Staatliche Museum in Berlin and other masterpieces from the most important museums in Italy and the world, a kind of homage to the uniqueness Caravaggio's own work in the year dedicated to celebrate the four hundred years after the death of the Lombard master.
|Last Updated on Monday, 03 May 2010 09:12|